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In a quiet gallery tucked away in Seoul, an exhibition unfolds like a slow-burning manifesto—less a declaration than a space of sensation, relation, and porousness. A Form of Love to be Reached Without Heads or Tails, held at the independent art space WWW SPACE and supported by Ewha Womans University, explores what it means to dismantle the frameworks that shape normativity, identity, and inclusion. Anchored in a posthuman ethic, the exhibition reframes inclusion not as a fixed state but as something fluid, relational, and lived—asking how bodies, materials, and systems can coexist beyond the logics that traditionally divide them.
Curated by So Young Won and featuring works by Sena Park, Seungjin Lee, Joon Hee Lee, and Eunjoo Hwang, the exhibition presents a sequence of sensory encounters grounded in materiality and sensorial presence. From bodily textures to sonic traces, speculative symbols to fading imprints, each piece remains open.
Taking charge of the visual direction, designer Yoon Bee Baek developed the exhibition’s identity system and printed matter. The manifesto became a basis for a system shaped as something diverse and in flux. Her design language draws on the fluidity of natural elements and the flexibility of the Korean writing system (Hangul), offering a visual rhythm that mirrors the exhibition’s emphasis on openness, expansiveness, and movement—articulated through shifting sequences and loose compositional structures. The work opens a condition: to be present in a world that is constantly shifting, to remain open while everything asks you to harden, to sense without owning. In this way, the show becomes less about what love is, and more about what it allows—to start again, to be unfinished, to belong without needing to arrive.
Baek’s design for the exhibition was recognized in the Communication Arts Design Annual, in the Posters category. But within the space itself, the work doesn’t claim authority. Instead, it holds space—for ambiguity, for contradiction, for forms of love that escape definition.
